WAVE G
Who is hiding inside the molecular cloud?
WAVE G，以二年的時間完成這張以宇宙裡的”類星體”為專輯的名稱。
在宇宙深處閃耀的類星體，是宇宙最明亮也最遙遠的天體，它們從過去發出光芒，穿越億萬年的時空，照亮我們的現實。這張專輯以類星體為隱喻，探索人類生命的起源、孤獨、連結與自由意志。我們如同星塵般微小，卻同樣閃耀著存在的光芒，而每首曲目如同一個宇宙節點，拼湊出一段生命歷程。
這首先行曲Who is hiding inside the molecular cloud ?”是誰躲在分子雲裡？”描述著原始生命在混沌中醞釀，在宇宙孕育新恆星與新生命的搖籃中，一切都隱藏在厚重的塵埃與氣體之後，同時也代表著生命在未知中孕育的狀態，雖然未被看見與不被定義，卻蘊含無限的可能與能量。
Producer WAVE G spent two years creating this album, titled *Quasar*, inspired by the luminous giants of the cosmos.
In the depths of the universe, quasars shine as the brightest and most distant celestial objects, sending out their light from the past, traversing billions of years across time and space to illuminate our reality.
Using quasars as a metaphor, this album explores the origins of human life, loneliness, connection, and free will. We are as small as stardust, yet we radiate the same light of existence. Each track is like a cosmic node, piecing together the journey of a lifetime.
The track *Who is hiding inside the molecular cloud?* portrays the brewing of primordial life within chaos — in the cosmic cradle where new stars and new life are born. Everything is concealed behind dense layers of dust and gas, symbolizing the state of life gestating in the unknown. Though unseen and undefined, it holds infinite possibilities and boundless energy.
#IDM #Experimental #WAVEG #Quasar
I roam freely through the cosmic rays
WAVE G，以二年的時間完成這張以宇宙裡的”類星體”為專輯的名稱。
在宇宙深處閃耀的類星體，是宇宙最明亮也最遙遠的天體，它們從過去發出光芒，穿越億萬年的時空，照亮我們的現實。這張專輯以類星體為隱喻，探索人類生命的起源、孤獨、連結與自由意志。我們如同星塵般微小，卻同樣閃耀著存在的光芒，而每首曲目如同一個宇宙節點，拼湊出一段生命歷程。
這首先行曲I roam freely through the cosmic rays”我在宇宙射線裡自由穿梭”描述著靈魂在自由意志中流動，探索未知的旅程的開始。它是靈魂的絕對自由與探索精神，而在無邊無際的宇宙中，擺脫一切重力與束縛，沿著能量的脈絡去旅行。這是一段屬於自我意識的高速航行，既是冒險，也是與宇宙同頻的舞蹈。
Producer WAVE G spent two years creating this album, titled *Quasar*, inspired by the luminous giants of the cosmos.
In the depths of the universe, quasars shine as the brightest and most distant celestial objects, sending out their light from the past, traversing billions of years across time and space to illuminate our reality.
Using quasars as a metaphor, this album explores the origins of human life, loneliness, connection, and free will. We are as small as stardust, yet we radiate the same light of existence. Each track is like a cosmic node, piecing together the journey of a lifetime.
The track *I roam freely through the cosmic rays* depicts a soul flowing within the realm of free will, marking the beginning of a voyage into the unknown. It embodies absolute freedom and the spirit of exploration — breaking free from all gravity and constraints in the boundless universe, traveling along the pathways of energy. This is a high-speed voyage of self-awareness, both an adventure and a dance in harmony with the cosmos.
#Electronic #Ambient #WAVEG #Quasar
I’m from the Milky Way, What about You?
WAVE G，以二年的時間完成這張以宇宙裡的”類星體”為專輯的名稱。
在宇宙深處閃耀的類星體，是宇宙最明亮也最遙遠的天體，它們從過去發出光芒，穿越億萬年的時空，照亮我們的現實。這張專輯以類星體為隱喻，探索人類生命的起源、孤獨、連結與自由意志。我們如同星塵般微小，卻同樣閃耀著存在的光芒，而每首曲目如同一個宇宙節點，拼湊出一段生命歷程。
這首先行曲I’m from the Milky Way, What about You?”我來自銀河系，你呢？”描述著我們的身份與根源，每個人都是來自某處的旅人。
而宇宙裡看似寧靜的ㄧ切，隨著角落裡的蠢蠢欲動，並穿插宇宙通訊般的電子脈衝與高頻信號音。跨越星際的對話，彷彿兩個生命在交換故事、逐漸熟悉的過程，而此時銀河系即將出現史詩般的巨人。
Producer WAVE G spent two years creating this album, titled *Quasar*, inspired by the luminous giants of the cosmos.
In the depths of the universe, quasars shine as the brightest and most distant celestial objects, sending out their light from the past, traversing billions of years across time and space to illuminate our reality.
Using quasars as a metaphor, this album explores the origins of human life, loneliness, connection, and free will. We are as small as stardust, yet we radiate the same light of existence. Each track is like a cosmic node, piecing together the journey of a lifetime.
The track *I’m from the Milky Way. What About You?* explores our identity and origins — each of us is a traveler from somewhere.
In the seemingly tranquil vastness of the cosmos, subtle stirrings emerge from its corners, interwoven with electronic pulses and high-frequency signals reminiscent of interstellar communications. This is a dialogue across the stars, like two beings exchanging stories and gradually becoming familiar with one another — all while the Milky Way stands on the brink of witnessing the rise of an epic giant.
#Electronic #Experimental #WAVEG #Quasar
“TUBEOUT in Taipei”
At the February 7, 2026 show, the main performers were “AZKi”, the virtual diva from “hololive”, Taiwan’s popular VTuber “Mori Mori Rinlan”, and next-generation songstress “Elentia”.
Princess Dika was invited as the opening guest for “TUBEOUT in Taipei”, and also took part in the final joint performance of “Uchiage Hanabi.”
In addition, on February 9, 2026, DIKA appeared at the “Taipei International Comics & Animation Festival”, where she connected live with the audience and her fans through a livestream session.
(Starting from 22:30)
在2026/02/07這個場次的主要表演者為：hololive 所屬歌姬 AZKi、台灣人氣 VTuber 森森鈴蘭，以及新世代歌姬厄倫蒂兒。
DIKA豚足跡受邀成為“TUBEOUT in Taipei”的開場來賓，以及最終合體演唱”打上花火”。
同時在2026/02/09，DIKA也在台北國際動漫節與現場觀眾以及喜愛她的粉絲們ㄧ起直播連線。
#DIKA豚足姬 #AZKi #森森鈴蘭 #厄倫蒂兒
Global Music Awards (GMA) – Silver Award“全球音樂獎GMA銀獎”
Special thanks to the production company NERDYBOY Ltd !
Princess Dika’s album “Savoring the Flavor” has received the Silver Award at the Global Music Awards (GMA).
We (WAVE G & Maggie Chiang) contributed three compositions and five arrangements, in addition to her first original song released in 2024.
Music styles for locally rooted, culture-driven VTubers like this are still relatively rare especially within a VTuber landscape largely shaped by Japanese aesthetics and world-building. Against that backdrop, DIKA’s positioning stands out as distinctly unique, while also carrying the responsibility of promoting Taiwanese local culture.
Beginning in 2024, WAVE G participated in the arrangement of DIKA’s very first original song “Kha-Jiah (跤跡)”. With DIKA’s core identity deeply infused with diverse elements of Taiwanese culture, this track went on to establish the foundation of the album’s overall worldview. The song also earned DIKA the Best Original Song Award at the 2nd Taiwan Golden Vtuber Awards, along with the event’s highest honor, Vtuber of the Year (Female).
During the early stages of the album, we worked closely with the producer through a fully customized approach, adding greater depth and color to DIKA’s musical soul. The album weaves together DIKA’s personal growth memories and her cultural connection with fans, forming a cohesive and complete artistic statement.
Another key point is that DIKA is an independent VTuber (個人勢 / kojinsei). Compared to corporate backed VTubers (企業勢 / kigyōsei), independents benefit from greater flexibility and agility, but naturally have access to fewer resources.
Under such constraints, finding the right A&R and music production team becomes especially critical allowing the core needs of a music-focused VTuber to be translated directly into effective results and meaningful visibility in the shortest possible time.
We look forward to creating even more outstanding works with DIKA in the future.
感謝製作公司NERDYBOY Ltd ！
DIKA 豚足跡的”著味”專輯，得到全球音樂獎GMA銀獎
我們(WAVE G & 江曉音)在其中參與了三首作曲以及五首編曲，以及外加2024年的第一首原創曲。
以這樣本土類型Vtuber的音樂風格的確不多，尤其是在眾多Vtuber以日本風格圍繞的世界觀之下，她的定位更凸顯與眾不同的存在，同時也兼具著推廣台灣本土文化的責任。
從2024年開始，WAVE G 就參與她的第一首原創曲”跤跡”編曲，再加上她本身定位充滿各式各樣關於台灣的元素，爾後因此而奠定了之後的專輯世界觀，而這首歌也讓她得到了第二屆台灣金V獎(Golden Vtuber Awards)的最佳原創歌曲獎，同時也榮獲最大獎項年度最佳女Vtuber。
之後我們在專輯初期就以專屬打造的方式，與製作人將DIKA的音樂靈魂賦予更多的層次與顏色，內容同時聯繫著DIKA的成長記憶以及與粉絲的連結文化，來共同構築專輯的完整度。
另一個重要的地方在於，DIKA是個人勢（こじんぜい），相對於建立在企業勢（きぎょうぜい）之下的經營，相對個人勢會靈活且機動許多，但是就不會像企業勢的資源來的那麼多。
因此在資源有限的情況下，能夠遇見適合的A&R以及音樂製作團隊會變得相對重要，能夠以最直接的需求將屬於音樂類型Vtuber以最快的速度達到ㄧ定程度且有效的結果與話題。
我們期待接下來能與DIKA有更棒的作品。
#DIKA豚足姬
